Number 12:Dublin 1660 -1860: The Shaping of a City by Maurice Craig
Selected by: Stan
First Published: 1952, revised 1969, numerous reissues since, most recently a hardback special edition by the Liberties Press in 2009.
Why? “Ostensibly an architectural history of Dublin, it is in fact, a biography of the place, a city that emerges as a capricious and moody character, prone to fits of near catatonic depression and withdrawal, interspersed with periods of manic growth and energy.”
It Stays with You: “If you spend enough time with it, it teaches you to see the city as Craig did, not as a statically glorious monument to a ragged Georgian peak, but as a constantly re-written text. Though he wrote it at a time when that heritage was beginning to be appreciated, he was neither a snob or a reactionary. He understood the city as a site of struggle throughout – inside and outside the walls, north and south sides, catholic and protestant, and as a stage for a constantly changing population of immigrants.”
Legacy: “More than anything, it reminds you that the boom and bust cycle of the last few decades seems to be written into the DNA of Dublin: the ‘magnificent’ Georgian Squares were thrown up by less than scrupulous speculators who would have been perfectly at home during the Tiger years, and the time during which Dublin briefly swelled into one of Europe’s biggest cities before falling into a near 150 year decline reads like a pre-figuring echo of more recent vanities.”
Availability: Out of stock; Available at Amazon and eBay and in some library branches nationwide (list here).
Historian and activist Catherine Corless at the site of the mass grave at the former Tuam Mother and Baby Home in Tuam, County Galway
Survivors and relatives of infants from the Tuam mother and babies home are planning a peaceful vigil in Co Galway to coincide with the papal Mass [on Sunday, August 26] in Dublin’s Phoenix Park.
….Ms [Catherine] Corless and members of the Tuam Babies Family Group will light candles and place a special sculpture made by Flemish women in the shape of a baptismal font at the grave site of the former Bon Secours home.